Hungarian Lights

Matthias Corvinus' Black Army contained Hungarian Light Horse, Serbian Hussars, Szekely, Cumans, Wallachians and Moldavians.  The two battlegroups below represent Hungarian Light Horse.  Their role was to skirmish and chase away the Ottoman Akinji Light Horse to prevent them from interfering with the deployment and charge of the Hungarian knights. I plan to pair each unit of Light Horse with a unit of Serbian Hussars in my Field of Glory games.  This will give the Hungarians a powerful one-two punch that the Ottomans don't have an answer for.  

These Essex figures are quite lively and I mounted a couple of bases with the "shoot and scoot" scheme of two figures facing in opposite directions.  I think it works but I'll leave it to viewers to decide for themselves.  I think using a limited palette of colors paid dividends here as well. 

 

 

Last up are my Hungarian handgunners.  Medieval gunpowder was very expensive and the firearms of the day were of limited effectiveness due to being inaccurate, slow to load  and sometimes self-exploding. Even so, they  provided a kind of shock and awe on the battlefield.  Corvinus utilized the defensive tactics of the Hussites by placing his  infantry behind  pavises or wagons while his cavalry  harassed the enemy and I plan to do the same when I field these troops.  Handgunners need to operate from behind the safety of a shield wall, wagons or cover.  If they're caught unsupported in open, they'll be obliterated in hand-to-hand fighting.  These figures also appear to be a bit on the plump side so I'm not sure they'll be able to run away from a determined charge!  

Clipeati & Armati heavy infantry

The Clipeati were armored footmen equipped with huge shields known as pavises.  The Clipeati formed a shield wall from which the Hungarian infantry could fight. Crossbowmen and handgunners probably operated behind the safety of their shield wall. 

The Armati were the armored footmen who fought alongside the Clipeati. It is not clear what the Armati were armed with but it is reasonable to assume that they utilized pole arms for fighting from, over and around the Clipeati pavises.

I sometimes think I should paint every army twice.  The first time through would be for researching, profiling, choosing figures and color combinations.  In the second pass, I like to imagine that I’d get just the right figures with the perfect color combinations.  If I were to paint the Clipeati & Armati battlegroup a second time, I’d look for different figures for the 2nd rank.  The first rank looks good with the pavise shields but the second rank would ideally be pole armed figures with no shields.

I'm a little unhappy with the faces on these figures so maybe its time to try a new technique.  My face painting technique is very simple.  I put down brown for the base on skin, then flesh and then bring it down with an Ogryn Flesh wash.  The wash didn't take well here for some reason.  I'll have to give it a 2nd wash and maybe when I finish my knights, I'll change my technique.

64 shields in two battlegroups.  A tough looking bunch but I wonder if they can withstand a charge by knights?  I'll have to answer that question on the field of battle.  And I'm sure Al will be happy to run the other side of that experiment!

Szekler cavalry

The Szekely were a semi-nomadic people who played a key role in the defense of the Kingdom of Hungary against the Ottoman Empire.  As a subgroup of Hungarian people, they believed they were descendants of the Huns. Their lands were outside of traditional Hungarian law and their only obligation to the Crown was to supply troops for military service. The Szeklers were regarded as some of the finest horsemen in Hungary.

 

Szekler cavalry are rated in the Field of Glory rules as superior and armed with bow and sword. In my Later Hungarian army, they can go toe to toe with the best cavalry in the Sultan's army.  I don't want to put too much pressure on these boys but I expect great things from them on the tabletop!

And just to change things up a bit, here's a shot of them in the early stages. 

Freehanding shields, part 2

I got some good tips on TMP for shield work.  One of the tips was to rough out the motif and use the background color to paint over and clean up the image.  Some motifs were fairly simple and I was able to get them right in a single pass.

Now that I'm in my late 40s, I can't paint without reading glasses and an enormous amount of light. I work under a pair of 500 watt halogen work lights.  As a result, I'm painting in an environment not unlike the Gobi desert. The work light kicks off heat and a few times, shields were ruined because the over painting technique resulted in 3-D built up of paint. When this happened, I scraped the shield down and started over.

36 knights and shields later, here's a sampling of some of the better motifs.  Each is based on East European heraldry and most are Hungarian.

Goose in a Chalice is one of my favorites!

I can't help but think about the Impetus ruleset and their style of basing armies. By using fewer figures and larger, diorama style bases, I think I could field a better looking army in less time. A lot of detail will be buried when these figures are snugged shoulder to shoulder on a single small base.

Here in Minnesota, the sun has disappeared entirely beneath the gray skies of November. Maybe the relentless gray days are taking a toll on my attitude.  Tomorrow is another game at the Source.  A good game will renew my energy and interest in seeing this project to the finish line.

Serbian Hussars

Serbian Hussars served as light cavalry in Matthias Corvinus' Black Army of Hungary.  They were armed with lances and large wooden shields.  Corvinus is generally credited with reorganizing the Hussars from small irregular units into large trained formations. The number of Hussars available to Corvinus rose in 1459 when Serbia was absorbed by the Ottoman Empire and many Serbians fled to Hungary.  The Hussars took part in the Hungarian wars against the Ottoman Empire and were employed successfully against their counterparts in the Turkish, Bohemian and Polish armies.  These boys will serve as light shock troops in my Hungarian army.  Light horse generally skirmishes and evades but not the Serbian Hussar. Their role is to pursue, engage and break opposing light horse.

I had a couple of breakthroughs here. First, I've been experimenting with basing.  No radical departures here  but I did use more static grass and Stilfor tufts, including flowers. I also took the time to pick out the larger rocks and coat them with dark and light gray.  I'm very pleased with the results! 

Secondly, its no secret that I've struggled with miniature photography.  I took many pictures today and was disappointed with all of them so I went back to the internet and combed through the tutorials.  I learned how to manually adjust white balance by pointing my camera at a white sheet of paper and just like that, the quality of my photographs greatly improved!  These are all by natural lighting.

 

All figures are by Essex and I do love their horses as there is a great deal of variety and energy in them. The only downside is the limited poses for the Hussars but I don't think it detracts too much.

Freehanding 15mm shields

One of my favorite books of the last couple years is Malcolm Gladwell's "Outliers: The Story of Success."  In it, Gladwell dispels the myth that people are born to greatness.  He demonstrates time after time that greatness is earned with practice-about 10,000 hours worth.  That's 20 hours a week for 10 years. Before you panic, 10,000 hours is what it takes to put you at the very top of your sport, hobby or passion. Think Bill Gates, the Beatles or Lebron James.  If you are willing to settle for merely "good," you can invest much less time.  For those of us time and interest challenged, a minimal investment of practice in your craft will vault you to the hallowed status of "just good enough."

"Just good enough" described my skill in painting horses a year ago.  Back then, I'd put off painting cavalry because I didn't enjoy painting the horses. Maybe it was the musculature, maybe it was the reins and tethers or maybe it was the horse at the stable that bit me.  Whatever it was, I struggled when I got to these figures.  If you're going to paint ancients, there's no way around the fact that you're going to paint horses over and over again. By the time I painted my Turkish army, I'd painted so many of horses that I'd forgotten I didn't like them. I'd reached the point where horses were no longer a mystery to me. I knew I'd  conquered my Equinophobia when the first figures I painted in my Hungarian army were 72 figures of cavalry.  

My current painting phobia is freehanding shields.  When I see a shield, my first reaction is to look for a shield transfer. Or slap a geometric shape down and call it good.  I might do a little drybrushing or a wash but I've never painted an object on a shield.  This is a problem in my Medieval Hungarian army because the Cliperati and Armati battlegroups have 64 shields and the 50+ knights each have a shield ...ugh!  

For this project, I made a rule that even if I wasn't happy with the results, I'd move on. There were 64 shields and I couldn't sweat over each one.   I turned to the Internet for inspiration and found excellent Hungarian heraldry sites here and  here.   I loved the picture below so I decided to give it a try. 

I stripped out the fancy bits and concentrated on the motif of an eagle's head rising out of a crown.  It took a while but I achieved passable results.  I  reminded myself that these shields will be bunched up in units of 32 and then viewed from 3 feet or more. The camera is quite unforgiving this close up but here it goes...

Geese figure prominently in Hungarian heraldry so I gave them a try. As it turns out, painting geese was the easiest of the many items I tried. It starts with the S and then you fatten out the bottom of the letter.  If only every item I painted could be shaped via the letters of the alphabet, my shields would be so much the better!

On the workbench-Serbian Knights

Monday was a great day for me.  I came home from work and found 2 Field of Glory related packages in the mail...kind of like Christmas in September!  The first package was my Essex Hungarian army. I got an email on Saturday confirming the Hungarians were shipping and Monday, they were in! That's amazing since Tennessee and Minnesota are more than 1,000 miles apart.  I'm thrilled with the fast shipping and great price of  Wargames.  I'm going to go back to their website and scour for more medieval troops.  If I'm lucky, maybe I can find enough figures to pull together another Medieval army.

I've never painted anything but Old Glory so I was fretting over whether Essex would be of equal quality.  It turns out that these figures are very well molded and loaded with detail.   The horses have a very nice size and shape compared to Old Glory.  Side by side, the Old Glory horse looks very thin.  I haven't even painted a single figure and already, I'm a fan of Essex!    

Last week, to prep for painting 40+ Hungarian knights, I dug out the last of my unpainted Old Glory Knights that I used for my Serbian Nobles battlegroup.  When I painted the Serbs last spring, I primed them with white primer, drybrushed sliver, washed with Badab Black and then over that with a bright silver.  I don't routinely drybrush 15mm figures but with chainmail and some barding, the technique works. 

I don't know but I've been told, Knights primed white shine like gold. 

This time around, I decided to change things up.  I primed the remaining Knights black, drybrushed them with a dark silver, then a black wash and then a bright sliver.  Comparing the two, the difference is very subtle. Priming white will give you a slightly brighter silver and shinier knight.   I think I'll stick with black primer for my Hungarian Knights for a slightly darker result. That's fitting since they will be a part of the Black Army.  

Drybrushed.

Stained and then painted a bright silver. 

Serbia scores 6 more Knights.

These 6 Serbians were a nice warmup for the Hungarian project.  On a critical note, I'd like to get better at painting shields.  I confess I see shields as a chore and it shows through in my work.  I'm going to have to fix that because there are an awful lot of shields in this army! I probably could use some Medieval reference books before I really dig in, so,  its time to go to Amazon and see what I can scrounge up.

And in case you were wondering what the 2nd Field of Glory package was on Monday?  More hills, trees and stone walls for enclosed fields. In for a penny, in for a pound.