Ottoman Heavy Artillery

These Ottoman Heavy Artillery minis are from Venexia Miniatures and they'll help port my Later Ottoman Turks into Field of Glory Renaissance.  Bruce is busy painting up a Cossack army and we'll give FoG Renaissance a go later this year.  I found a US distributor for Venexia and bought out their entire stock of Ottoman artillery.   There's something about the freakishly enormous wheels on these. Once I saw them, I knew I had to buy them and paint them up!

I painted the metallic areas on the wheels and frame in black and then painted silver over the top, thin enough to leave a thin strip of black as a shadow. It worked to good effect, given how much metal is on these monsters.  I used Devlon Mud to blacken the ends of the brass colored barrels to give the appearance that they've been in heavy use. There's a ton of detail on these figures and such excellent molding give a painter the opportunity to shine.  One day, I'm going to have to paint up a Venexia army.

Lastly, I want to share some photos that came to me from a blogger from Istanbul named Artar. Remember the line from the movie Crocodile Dundee when Paul Hogan is threatened by a tough guy with a switchblade? Paul says "That's not a knife!" and whips out his enormous Bush Knife and says "THIS is a knife!"

Paul Hogan looks over my Later Ottoman artillery and says "That's not Ottoman Heavy Artillery.  THIS is Heavy Artillery!"

Spotlight on the Gauls

The Gauls were a Celtic people living in Gaul, a region roughly covering what is now France, Belgium, Switzerland and Northern Italy.  The Gauls had the great misfortune of sharing a border with the Romans and the two were often at war.  The Gauls managed to sack Rome in 387 BC and as a consequence, the Romans had a deep fear and hatred for them that lasted until they were conquered by Caesar in 50 BC. When Hannibal invaded Italy during the second Punic war, a number of Gallic tribes joined him and contributed to his many victories over the Romans.  That didn't help the Roman "fear and loathing" either, I bet.  

This was a project that I fell into rather than planned thanks to a bargain on Bartertown for an unpainted Old Glory Gallic Starter Army with Litko bases.  I snapped it up and then began to wonder what I'd been thinking.  The rumors are true...painting a Gallic Army is a test of endurance. Of the 184 figures of Heavy Foot in this army, every one has a unique color scheme and that's why painting Gauls is so tough. I'd suggest  a simple cheat to speed things up.  Select 4 to 8 color combinations/patterns that you really like.  Mount the like-posed figures together on Popsicle sticks. Paint each stick with the same scheme and when you're finished, make sure that you don't put the same pose/colors next to each other.  I believe a smaller set of color combinations would make this army more pleasing to the eye than the "every man in unique" technique I employed.  When I was halfway through this project, my son walked in, looked the figures over and said, "It looks like a clown army!"


Heavy Foot:  The first set of pictures is all 46 bases of Heavy Foot.  One of the challenges in running Gauls is that you have to decide early on whether you want to run them as Heavy or Medium Foot.  Given all the Roman armies in our club, this was an easy decision for me. I chose to build them as Heavy Foot.  To run them as Medium would give me more speed and the ability to go into terrain but at the cost of being extra brittle when losing to heavy foot and cavalry.

Soldurii:  In Field of Glory, the Soldurii represent a well armored, elite bodyguard.  As armored elite heavy foot, they're the single killer unit the Gauls get to field. You can only take 6 bases of Soldurii so use them wisely!

Cavalry:  If you're going to run Gauls in FoG, this is where you need to figure out a way to win.  Running an army of protected, average, undrilled Foot is a challenge in the ancient world.  I put together a lot of cavalry and chariots in hopes that I could win on the wings in battle.

 Chariots:  Chariots are quite expensive and also, labor-intensive to build. Make sure you have a pin drill handy for assembling these.  Still, it's a nice visual effect when you put them all out on the table in a single file!

Slingers: The Gallic list is a light on skirmishers so I consider these fellows a must-have.  This was the first time I utilized "black lining" and I was pleased with the results.

Javelinmen:  One of the great things about having teenage children is that my very existence can be an embarrassment to them. When my daughter saw that these Javelinmen were going to be  fielded with no clothes, she asked if I was going to take them out in public. I explained  that the Gallic proclivity to fight sans pants is well known amongst history geeks and thus, I wouldn't be embarrassing myself by fielding nude figures. Well, at least not these figures.  I was quite careful in applying highlights and washes  to these figures as I didn't want to draw too much attention for reasons of, um, modesty!

A quick note about the tattoos.  I started with dark blue but kept working my way up for something that popped. The sky-blue looks great to the naked eye (get it?) but I couldn't get a shot that captured that effect with my camera.  In these shots, it just looks washed out.  

Commanders:  I put my Commander in Chief in a Chariot.  All the better to run away when things go south, I suppose.

Camp:  This camp is nearly scratch made. The tent is made out of paper towel and toothpicks. The large rocks are actually driftwood from the North Shore.  Okay, so I didn't scratch make the 2 figures or the tree but for me, this is pretty good!

I enjoy my Gauls for their color and vibrancy.  I also enjoy their "lost cause" history.  They dared to stand up to Rome and were crushed under her heel.  If you are thinking of painting up a Gallic army, one of the big pluses is how easily they morph into the other "barbarian" armies of the period such as:

1.  Galatians

2.  Picts

3.  Early Germans

4.  Early British
5. Teuton and Cimbri

While Roman versus Gauls is a tough matchup for Gauls in FoG, they have a fighting chance in Impetus.  This weekend, I'm going to take these boys out of the box and run them against my newly painted Mid Republican Romans.  Large Unit and the Impetus bonus should give the Gauls a fighting chance to win.  While this army is based for FoG, I can field it in Impetus as long as I make sure that the units are no more than two bases wide.    Brent put dibs on the Gauls and I suspect he's going to hit me with the dreaded "Boar's Head" formation to cave in my thin red Roman line!  

Method Painting

You're probably familiar with the term "method acting." In case you are not, method acting is a technique used by actors to immerse themselves in a character so deeply that they'll sometimes continue to portray them even when offstage or off-camera.  I've been utilizing "method painting" lately while painting my Romans.  In my version, I immerse myself in the era and army which I'm painting so deeply that I can forget what period I'm inhabiting! Method painting is the first step to creating the Perfect Gaming Trifecta:

Step 1.  Immerse yourself in the era and army.
Step 2.  Paint the army.
Step 3.  Bring it all home by fielding the army on a tabletop!

The great thing about method painting Romans is the enormous amount of material available to immerse yourself in. I'm going to give a Top 3 recommendation for my favorite sources of inspiration for painting Romans this month.  If you sample any of these, don't be surprised if you get sucked in and discover a Roman army project has appearred on your plate. The list please!

Dan Carlin's Hardcore History podcast, Shows 34-39 "Death Throes of the Roman Republic."  Dan's 5 shows give you a thrilling 13 hour ride through the end times of the Roman Republic. I was so smitten with this excellent series that I've become a subscriber to Carlin's podcasts. He is off the charts good and I'm working my way through all of his podcasts.  I like to listen to them while I paint and I'll listen two or three times through just to make sure that I catch everything. Did I mention that his current shows are free?

Greece and Rome at War by Peter Connolly:  This is a superbly illustrated study of a tactics, soldiers, equipment and campaigns of both the Greek and Roman armies. Connolly is an excellent illustrator and his art is an inspiration for any hobbyist or historian.   This book serves as an excellent reference source and inspiration.  As a painter, you can never have too many reference books and this one earns an A.

Rubicon: The Last Years of the Roman Republic by Tom Holland: This book is a riveting narrative of the final years of the Roman Republic. It is full of larger-than-life characters like Marius, Caesar, Pompey, Mark Anthony, and the Poison King, Mithridates, just to name a few.   To give you just a small taste of what's in store,  here is a quote directly from the book:

"The mines that Rome had annexed from Carthage more than a century previously had been handed over to the publicani, who proceeded to exploit them with their customary gusto. A single network of tunnels might spread for more than hundred square miles, and provide upwards of 40,000 slaves with a living death. Over the pockmarked landscape there would invariably hang a pall of smog, belched out of the smelting furnaces through giant chimneys, and so heavy with chemicals that it burned the naked skin and turned it white. Birds would die if they flew through the fumes. As Roman power spread, the gas clouds were never far behind."

Wow!  So there you have it.  3 recommendations that'll put you knee-deep in the Roman era.  I confess that I just discovered a downside to method painting.   Today, I went down to the kitchen in my purple trimmed toga expecting a breakfast fit for a Caesar.  Instead, it seems I interrupted my wife and two children conspiring against me in whispered tones. I think they've read "Rubicon" too and now they know how Caesar meets his end.  I've only got until March 15th to figure out which of them is Brutus!