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Wednesday, December 26, 2012

Mustering the Lights for Corvinus' Black Army

Santa brought me a new Daylight Triple Bright Lamp,  Despite the absence of sunlight, I can start taking pictures and posting King Matthias Corvinus of Hungary and his Black Army.  This is a major upgrade over the workshop light I've been using.  Here's hoping it'll pay dividends with photography and painting in 2013!  

I pitched into the Later Hungarian army v2 project wanting to change my painting and basing style. Some speculate that the Black Army was given its moniker based on their black armor panoply.   If any readers have an opinion on this point, I'd love to hear it!  I experimented with black but as always, straight black in 15mm is a problem visually. I've settled for working black in as much as possible, including the base coat.  From foot soldier to knight, armor will be very, very dark. 

Archers:  I started with a black and white livery but that wasn't working on account of the fur coats.  The very fine detail on these Essex figures made dry brushing a challenge.  Sharp-eyed readers will note the ballast is a change-up from what I usually use.  It's probably a touch too light but with an army composed of 50% cavalry, it'll pay dividends with the 100+ horses in various shades of brown.  


Handgunners:   When I look at these fellows, I'm thinking "Killer Bees."  It doesn't come through in the photos but the yellow triad pops nicely on the tabletop.  



Crossbowmen:  The camera shows all sins and I see I forgot to put a highlight on the quiver case!  D'oh! I do like these Essex poses though.

Next week, I'll post on the heaven and hell that is painting heraldry in 15mm.  With  persistence and some luck, I managed to find a website with medieval Szekler heraldry.  

Tuesday, December 18, 2012

Hungarian project - old dog, meet new tricks

For my Black Army of Hungary project, I'm changing things up.  I've got a system for basing and painting that I use faithfully on every army.  This time, I've decided to look for ways to do things differently. Experiment.  Change it up.  Right out of the gates, I'm having doubts. I've suppressed them by telling myself I can't judge the changes until it all comes together at the finish line.  But I judge. And worry. After all, I'm an old dog.  
Please lord, don't let the red devil kill me in my sleep.  
I've got 100+ foot and 100+ mounted figures to paint.  Almost half of the figures have shields. To scratch-paint heraldry on this many shields, I've got to find ways to save time.

Glue Gun:  First up is a trick I learned from Lurkio, 15mm modeler and painter extraordinaire.  I dug up an old glue gun and I'm hot gluing the cavalry to popsicle sticks. If you've painted Essex horse, you know how much time this'll save. Essex horses are exquisite, my favorite in 15mm, but their bases are easily bent or twisted.  That makes it nearly impossible to put a spot of PVA glue down and call it good.  The trick with the glue gun is to have the figure in hand and press hard  right after the glue goes down. One press and no fiddling to make the bases flat and figures stand up straight.


Army Painter colored primer:  Though quite pricey, I grabbed a bunch of Army Painter colored primers which I'll use to full effect. By priming a strip of mounted figures with a variety of browns,  black or grey, I'll have eliminated the step of blocking in the primary color of the horse.  I'll use a heavy wash over the blocked color and work detail and a highlight in when I paint the tack.  The beauty of this technique is that you get shadowing similar to black lining without the difficulty of painting over blackened tack.

Glue Man to Horse:  I've always painted riders separately from their mount but this time, I'm gluing the figure to the horse prior to priming to save time.  For many poses, Essex has already done this for me!  I don't want to work up from a variety of basecoat colors so I'll go over all riders with black.  The black shadows the hard-to-paint places between the rider and his mount.  And it'll lend itself to a darker effect that I'm looking for in my Black Army.
Since I'm using black on all the riders, I'll  paint faces with black plus flesh combo.  At 3 feet + viewing , it looks quite good in 15mm.

Army Painter colored primer in action.  
Flock it all:  I'm also changing up my flocking.  I once made the mistake of using too dark a color in my basing, which resulted in my cavalry being swallowed up by the color of the bases.  I found a very light colored Woodland Scenic ballast called Buff.  It is so light it's kind of freaking me out.  I'm going to stick with it because it should pay out with all of the cavalry & the variations of brown I'll use in painting them. I've had to remind myself that the point of basing is to showcase the figures. If the point of the basing was to realistically display ground cover, I'd use the "all green"  flocking method.  This one has a serious downside if I hate it at the finish line.

Accept feedback:  For me, painting is a quiet, solitary experience.  Some of you fellows belong to painting clubs and for you, painting is a social event. I've even heard of painters who paint via webcam just to get conversation and feedback as they go.  When I mentioned this idea to my family, they thought webcam painting was a little over the top.  I should point out that my kids are teens and thus, my very exsistence is a bit of an embarrasment to them!

For now, I'll settle for sharing photos.  My friend Gilles already pointed out some of my work was a bit dark.  I knew it to be true but I needed to hear it from someone else before going back and redoing highlights a tone higher. In 15mm, as in life, you just can't be subtle!

Monday, December 10, 2012

Going Gallic

Closing the book on my Gallic project, I'm compelled to share a True Story (TM) of my youth.  It seems like a satisfactory exclamation point to the topic, so here it goes.

After graduating from High School, my friends and I spent our summer nights hanging out before we went our separate ways.  In Phoenix, Arizona, homes often have a swimming pool on account of the oppressive desert heat. Being teens, we chose to hang out at the house/pool with absentee parents. On this Saturday night,we'd gotten together for a swim party.  Us guys were in the pool and the girls were outside of it, hair and makeup neat, paying us no attention at all.  Our ringleader Jim called us boys together in the deep end and as we tread water, he said softly “On the count of 3, pull off your swimsuits and wave then at the girls!” 

Off went the countdown, “1, 2… 3!!!” Off came my swimsuit and I waved mine wildly at the girls.  Then it hit me, mine was the only one in the air. Before I could comprehend the depths of the treachery I was about to suffer, I was dunked and held under water while my suit was ripped from my hand.  By the time I was allowed up for air, Jim was out of the pool with my suit.  The rest of the guys followed him, hooting and hollering as they paraded my swimsuit through the party to a large tree.  There they hung it from the lowest branch with great ceremony and insults to my intelligence. 

I was straight as an arrow back then but even an arrow bends when enough pressure is applied.  I swam to the edge of the pool and panicked.  Everyone was laughing at me.  They wanted me to beg, no, plead for my swimsuit back.  I knew they wouldn't soon relent.  No, they’d drag the joke out and make me suffer.  The pressure to act grew with the taunts and staring.  I had to put an end to their game. Without fully understanding it at the time, I decided to go Gallic. 
Roman dogs, give me back MY swimsuit!!!  
In a single motion, I lifted myself up out of the pool. I did not run.  I did not trot.  I made no attempt to hide my nakedness. I strode calmly through the crowd with my head up and eyes straight ahead.  I walked as if I were wearing pants.  I knew I could show no weakness, fear or shame.  And it worked.  As soon as I was out of the pool, the laughter and taunts stopped.  The crowd watched in stunned silence as I walked to the tree, pulled my suit down and put them on as as if I were dressing in the privacy of my bedroom.  This was NOT the way the prank was supposed to play out.  Game over. While the long walk is burnished into my memory, I can't remember anything from the rest of that night.  

Livy recorded that the Celts of Asia Minor fought naked: "The Insubres and the Boii wore trousers and light cloaks, but the Gaesatae, in their love of glory and defiant spirit, had thrown off their garments and taken up their position in front of the whole army naked and wearing nothing but their arms... The appearance of these naked warriors was a terrifying spectacle, for they were all men of splendid physique and in the prime of life."

Once in my lifetime, I too was a terrifying spectacle.  Never before or since have I done anything remotely like this.  If surrounded, pressed and hounded by my enemies, I know what to do.  Show no fear, stand tall and go Gallic!  And of course, pants optional!