Hammer of the Gods - SAGA AAR

Thursday, I capped off a bad day of work with a great night of gaming. Eric Hagen was looking to run his Vikings warband.  I was looking to meet Eric and see his new battleboard in person. As evidenced by his brushwork and board, Eric is a rare talent. He's also a stand up gamer and Vikingologist to boot!

We played a modified Homeland scenario.  My Normans had to keep the Vikings out of our hovels by game's end (turn 6).  The dragon's head prows and angry warriors strongly suggested our Viking guests weren't here for trade.

The raid begins.

How many dice do my sheep get? 

If you're looking for a monastery, there's one just a bit down the river.

The berserkers yell "give me sheep or give me death!"

Moving first, Eric spotted the chewy middle of my deployment. Norman archers are good shooters but poor in melee.  Side by side, the Vikings went into them with a warlord and hearthguard. Stacking dice and abilities, they blew the archers out of the starting block. Decimated, they never fired a shot in the game.

Does anyone else think we're deployed a bit too far forward? 

A proper ass kicking...

I opened with 2 rounds of shooting with my crossbowmen hiding in a hovel.  Having no luck with that, I charged my mounted Norman warriors with a stacked battleboard.  It paid no dividends and the Normans bounced off the Viking shieldwall.  The survivors were hunted down, pulled from their horses and killed by the Vikings in their next turn.

I'd shoot my crossbow, but there are no windows sir!  

Another  drubbing

Down SAGA dice and figures early in the game, I used my mobility to concentrate on Eric's right flank. I had some success, taking out Viking warriors and hearthguard.  Up in SAGA dice, I was feeling better about my chances.

Me wearing my only Dark Age gear, a Viking shirt!  

Eric wasn't idle while my Normans swept his longboats.  He double moved warriors into a Norman hovel and sent his berserkers to cover the entrance. And here I thought I'd barred the door!  I rallied my surviving figures for a late push to kick the Vikings out.   

The berserkers saw the party and crashed it with predictably bloody results.  The Norman warlord needed only a Plus One invitation for the push on the hovel!  

While the Norman warband underperformed much of the night, my warlord was a killing machine. Even with his hot hand and sword, it was going to be tough to root Viking warriors out of a building.

On the last turn, my Norman charge came up short and the Vikings notched a win. It was a heck of a game and I'm looking forward to many more. Eric's account of the match is up on his Google + account here.  He's got loads of lovely painting and armies posted, so do check it out!

I need to use the loo! It'll only be a minute.

To the victor, a great local mead. Cheers!  

British Airborne, 2nd drop

Up today is a British Airborne section.  There's lots of character in these Artizan Design figs. They were a pleasure to paint from start to finish.  They'll reinforce a Chain of Command commission I painted earlier this year.

I also finished a couple of drivers. In time, they'll be promoted from driving bottle caps to jeeps!

Since I was on a WW II painting kick, I pulled out my Chain of Command jump off markers and painted them up as well.  The resins from TooFatLardies take paint quite nice. I don't have any WW II troops of my own so this is putting the cart, er, barrel,  before the horse.  I'll post these up for sale rather leave them in a drawer while I mull over my WW II painting options.

At the risk of inducing whiplash in my readers, I'm jumping back in time for Dark Age painting and then comes a large run of Old West!  

Samurai for Ronin

I knew painting Samurai would be difficult but I underestimated just how painful it would be. There's lots of detail packed on each figure, with kit overlapping kit and everything bunched up.  I love the process of bringing a figure to life but for these, I was quite unhappy until I got to the finish line.  I'll attribute that to painting outside of my comfort zone.

I don't have much in my library for reference material on Samurai but I did I find a fantastic heraldry website here.  The fellow who does the artwork is a genius and you can't help but be inspired by his work. If I were to paint another, I'd like to paint the clan who featured a giant red radish on their sashimono.

No washes were used except on metals. I tried to paint neat to keep black intact for shadow but there was simply too much going on. At the finish line, I had to double back and add some blacklining.

I worked up the bright red in thin coats, starting at the high points and dragging paint to the edges while trying to leave a bit of the darker base coat peeking through at the edges for shadow.   

My cheat for painting a circle on the sashimono was a thin bit of plastic punched with a 3 hole punch.

If it's good to paint outside of one's comfort zone, let's say "Mission Accomplished." 

Lastly, I've been nominated for the Liebster.  I'm working up my recommendations of fellow bloggers but I'm down to typing with one hand.  I burned and blistered 4 fingers on my lawnmower muffler when I leaned over to adjust the damned thing.  This just reaffirms that one should avoid yardwork where possible as it is hazardous to your health.  More on the Liebster to come. 

Warrior Monks for Ronin

In college, I saw Kurosawa's "Seven Samurai" for the first time in a film study class.  It sparked my interest in the Age of Samurai and from there, I watched nearly all of his majestic films. Years later, my fascination was rekindled with the PC wargame "Shogun: Total War."  It was a masterpiece of thematic music, 3D graphics, small vignettes and a good AI.  On top of that, the Minneapolis Institute of Arts periodically displays a collection of Samurai weapons and armor.  My son and I always stop to stare at the oversized yari and naginata.  Lately though, the Samurai era has fallen off my plate. I have no Samurai figures or armies, hardly any books on the subject and no boardgames either.

I took this commission hoping it might of rekindle my interest. The figures are for Ronin, a skirmish wargame set in 16th century feudal Japan.  It's described as providing the flavor and excitement of Kurosawa's "Seven Samurai" and "Yojimbo." That sounds like my kind of game and I hope to try Ronin before the year is out. 

All the robes were done in triads but my color jumps were tight, perhaps too tight.  Yellow was the usual pain in the arse but the finished product is quite bright and pleasing to the eye. I think my faces are getting better as I break them into smaller sections. The North Star Military Figures are superb but quite challenging to paint.  There's a lot going on with each figure.  One buntai (squad?) down, one bunch of Samurai to go.

I also painted up some oxen for my friend Mark. I didn't base them up as he has Dark Age carts waiting for them.  I'm looking forward to seeing these in our SAGA games over the summer.

This last week was a big one for my son, the composer.  Over spring, Grant wrote a wonderful programmatic piece called The Triumvirate for percussion trio.  The piece has 3 movements, each representing a member of the First Triumvirate of Crassus, Pompey and Caesar. During the final movement, (Caesar), a drummer yells out "The die is cast" in Latin and the Pompey theme mixes with the Caesar theme, as they battle for dominance.  As a huge fan of history, I was thrilled to see these great men of history come to life in this composition.  With this piece, Grant was chosen as one of 7 BMI Young Composer Award winners for 2014.  BMI flew him to New York City for an all expenses paid trip and ceremony. He's the fellow in the front with the yellow shirt.  I don't think his feet have touched the ground since!

Follow the draco, Dacians done

If camps had titles, this would be "Mopping Up." I decided early on to use the ambush and annihilation of Legio V as inspiration for my Dacian camp. Luckily, I had just enough spare Xyston lead to pull it off. Two of the Roman shields are mangled to reflect damage from the dreaded falx.  The downed legionaries and Dacians were doused with Citadel blood.  A falxman is running around with the Legio V elephant standard.

Field Fortifications:  I've had this resin kit for awhile.  I painted it up in case it might be useful in a scenario with the Romans.  Nice kit by Hovels, Ltd.   

Command Stands:  I used a spare Khurasan Miniatures Sarmatian horseman to represent my Sarmatian allied leader. That way, he won't get mixed up with the Dacian commanders. The dracos do pop nicely on the bases.

Dacians marched into the battle accompanied by boar-headed trumpets and the draco. The hollow dragon's head was mounted on a pole with a fabric tube attached. When filled with wind, the draco make a shrill sound.  Proving once again the Romans never let a good idea slip by, scholars believe the Romans adopted the draco following their conquest of the Dacians.

To wrap up the Dacian project, I can think of no better finish than the picture below.  King Decebalus lead his Dacian tribes and allies against Rome in multiple wars.  When the end came, Decebalus took his own life rather than face a humiliating captivity and parade down the streets of Rome.  In 1994, a Romanian businessman and historian commissioned a statute of Decebalus. 40 meters high, the monument is carved into a rocky bank of the Danube. The first time I came across this picture, I thought it was something from Lord of the Rings.  Instead, it is magnificent tribute to an amazing figure from ancient history.