Which way the lead mountain?

After a decades long layoff, I came back to miniatures as a father-son project.  My son wanted to play Warhammer Fantasy so I bought unpainted collections at Bartertown. In short order, I had a plastic mountain of Orcs & Goblins, Dwarfs, and Tomb Kings.  Being new at this, my son and I were very slow painters. That plus assembling the figures meant it took us many sessions to finish a single unit.  And there were so damned many GW boxes! What was I thinking, buying 3 armies at once?  Every time I got a peek at the plastic mountain, my enthusiasm for painting sunk.  When my son moved onto the world of music, I was left to finish the lot myself.

I did eventually finish at a rate of an army a year but the experience left a mark.  When I quit fantasy for historicals, I decided to avoid this mistake.  I use an accountant's precision to plot my purchases.  I keep a first in, first out (FIFO) painting system. Before I start a new project, I finish the old one.  With this push, my collection of unpainted 28mm minis is down to 6 figures.

These fellows fill some  gaps in my Viking and Anglo-Danish warbands for Saga.  I used triads with the cloaks but I toned down my color jumps and washed to flatten them out for a more gradual transition.

The slingers add an important shooty element to the Anglo-Danish warband. Being levy, they're quite dull to look at.  

Running out of things to paint, I also finished some Saga color items including aditional fatigue counters. 

With my Just in time inventory system maxed, I'm back to sifting through unpainted lead at Bartertown and browsing Architectsofwar.  I've got my eye on more Dark Age figures.  It can't hurt to keep a lead molehill, can it?

Strategos and his men

Like a proud dad, I want to show off my new "baby."  I showed this bunch to my neighbors and my parents before boxing them up for  California. Yea, you're probably wishing you were MY neighbor!

I love this warlord figure.  I do wish the horse came in full barding but perhaps this model represents a moment when the Byzantines were short of cash.  Paying the Varangian Guard and bribing invading barbarians to go away has a way of putting a dent in the treasury.

Four of these Saga fatigue markers go out the door with the warband and one goes to my Normans.

With the lovely Gripping Beast figures and bright palette, the Byzantines were my favorite war band to paint to date. I'll come back to them again by book and perhaps, by paintbrush too.  I love  painting Dark Age war bands but I'm also on the lookout for a bigger project in 2014.

B is for Βυζαντινή

If you saw the B word and thought, "it's Greek to me," you're correct! It's Greek for Byzantine. Hopefully you'll also see a tight and bright palette here. All Gripping Beast figs and I should mention the warriors have lots of kit on them! 

TOXATOI: These bow-armed warriors come in handy with the SAGA battleboard abilities Massed Archery (fire over friendly units) and Support Archers (shoot into a melee disregarding friendly units in line of sight).  

KONTARATOI:  Spear-armed warriors.  The "prime white & wash with Burnt Umber ink" is back in play.  

PSILOI:  Javelin-armed levies. Even though levy foot are looked down on in Saga, I've seen them pull off amazing feats.  If nothing else, they soak up lots of missile fire and are a chore to destroy in melee!

My PC is still down, awaiting for a new video card and that's slowed me down.  Here's hoping that when it finally arrives, it fixes the problem.  The good thing about being your own IT is saving $.  The bad thing is making an educated guess and discovering you're wrong!  

Verdigris wrapup

I worked the Iwo Jima statuette over one last time to reduce the mottled look and make it predominately green. I do think this last push did the trick.

Nancy's call on the flag was spot on. She was quite happy with these pictures so with this, her keepsake is complete.

For comparison, here's how it started.  

Nancy's dad put his life on hold during the war years.  The end of WW II meant restarting his civilian life. Those postwar years must have been heady times, full of hope and promise.  For Nancy's dad, it meant returning to the US, marrying his sweetheart and settling down to raise a family together. Nancy shared a wonderful engagement picture of her mom and dad. I do think they're the very model of love and optimism!

Verdigris this!

Last month, my friend Chris asked if I'd paint a pewter statuette for his wife, Nancy. Nancy’s father served as a Marine in WW II and she inherited his Iwo Jima statuette. My friend wrote "the monochromeness of the piece made it look like a jumble. In person, the size of the Arlington piece and the dynamism of the poses makes it awe inspiring. For our little piece, I think color would make the marines stand out more and give the whole piece more definition. In my mind's eye, it would be really nice."

I agreed to paint it if I could do it gratis for two dear friends.  I'm honored that they'd trust me with this, honored and a bit nervous. Worse comes to worse, Pine Sol has my back, right? So, here's my Work in Progress.  The piece is fairly large; 5" tall, 5" wide and 8" long.  I suggested the piece could be reworked in verdigris. Nancy and Chris agreed to give it a go.

Prime black.  So far, so good!

Blocking a mix of bronze & brown for a weathered base.

Two heavy washes with GW Agrath Earthshade.  This turns out to be a bit of a misstep.  

I was tempted to stop here because the piece was looking quite nice! But that's not what I offered or what my friends agreed to.  Time to buckle up and move to the verdigris.

I used my brightest Vallejo blue and green, very watered down. The names on the jars are worn off but they're Game Color and quite bright.  I started with a 3-1 ratio of blue to green for the first wash and then in successive washes, I moved to 3-1 ratio of green to blue.  There is lots of flat space on these figures and the washes took me only so far.  For the last coat, I painting vertical highlights onto the figures, trying to mimic the weeping effect of verdigris. I did also try to mix in dark streaks but that didn't work in this scale.  It was looking pretty bright so I flattened it out with a watered Agrath Earthshade wash.     

Then on to the base.  I may need a wash to flatten it out as well.  

The final trick is the flag, and it's freaking huge. I'm thinking verdigris but that's not my call. The Arlington memorial is topped with a real flag and Nancy was thinking color at the start of this project. I'll confirm which way they want to take this-red, white and blue, or verdigris.   

This piece has been a riddle and a challenge. It's not like anything I've painted before but then again, it's good to get out of my comfort zone  I've really enjoyed seeing the piece evolve.  Here's hoping I get it across the finish line in good order!

Norse go South

The Varangian Guard were elite Norse mercenaries who served the Byzantine empire from the 9th through 14th centuries. To get an idea of how important they were, consider the spoils of war.  After a victory, the Byzantine Emperor took 1/3 of the booty, the Varangians took 1/3 and the rest of the army divided the balance. The Varangians were also the first to plunder a city and upon the death of the emperor, the
privilege of plundering the palace.

Much like Napoleon's Old Guard, the Varangian Guard were committed to battle at critical moments where the action was most fierce. Chroniclers described them as "fighting like madmen, as if ablaze with wrath,"  "frightening both in appearance and in equipment, they attacked with reckless rage and neither cared about losing blood nor their wounds." During the Battle of Beroe, Byzantine troops tried but couldn't break a  Pecheneg wagon laager (fort).  Byzantine officers cried for the "Emperor's wineskins" and up came the Varangians.  Heavily outnumbered, they broke through the circle and slaughtered the enemy. 

These are all Gripping Beast figs.  The hafts on their 2-handed axes were reportedly 5' long, so I trimmed the axes to keep them at or under the height of the figures.  

In Saga, the Byzantines can take Harald Hardrada as a hero & Captain of the Varangian Guard.  Part way into the project, my customer asked to add a Harald, plus 4 Viking Hearthguard for his Viking warband.  I modded a Hereward the Wake figure by cutting the sword out of his right hand and drilling out his left.  In it, I put a clipped spear in and added an axehead. Bingo, the Captain of the Varangian Guard with a a few Vikings running amok. The Viking basing was done to match an existing Viking warband.  

I recently switched to Krylon Matt Finish for sealcoating. It dries with a satin finish that looks brighter in the photography lights than natural lighting.  I'm not sure why the matt finish is coming up satin but I knocked it down with Army Painter Matt varnish after the photos.

Byzantine warband unleashed

My friend Jack painted up a lovely Byzantine army for Impetus that he ported into Saga.  Tempted as I was to paint one up myself, I generally avoid painting over my friend's armies. Then the fellow who bought my Vikings asked if I'd paint him a Byzantine warband for Saga. When asked for painting instructions, he said I had free reign.  The opportunity to paint Byzantines to my own vision is as good as it gets!

I did have a vision in mind, thanks to a profile folder on the desktop of my PC. I love the bright, vibrant colors in their mosaics and artwork, and the story of the Eastern Roman empire chugging along 1,000 years after Rome falls is fascinating.  The Dark Age palette goes on ice for this one.  I'm using bright reds, sky blue and yellows that appear in Byzantine artwork. These colors also appear in the LBMS Byzantine banner and shields as well.  I'm guessing their Byzantine folder looks a lot like mine!

As is my habit, I started with my favorite units first.  Cavalrymen were the elite arm of the Byzantine military. One of their tactics was to soften up the enemy with compound bows. If the enemy spread out to lessen the damage from the missile fire, the Byzantine cavalry would charge in with lances.  If the enemy held in place, they were likely to be disrupted from the storm of arrows.  And then a charge would come!

The LMBS banner and shield transfers really bring these fellows to life.  Scratch painted shield are an art  but I can't match the perfection in the shields below.

Irish warlord & champions

In Saga, the Irish can take up to 2 champions (Curaidh).  They have better armor, more attack dice in shooting and melee, and ignore the first non-cancelled hit.  They're a must have for the faction and I do like the way Gripping Beast modeled them with their uberspears.

Our special guest today is a traveling bard.  As you can see, he got lost in the dark forests of Killkenny. Luckily, he found two local boys to point him the way back!

The Irish were primed white and washed with Daler Rowney's Burnt Umber acrylic ink.  Basing was a blend of Woodland Scenic fine and medium ballast topped with Americana craft paint Milk Chocolate. Once dry, the bases got a Burnt Umber ink wash and highlights. I'm going to use this for basing my future Saga warbands.  With this, the Irish warband is complete.  These are going to a local friend so I look forward to seeing them in our Saga matches as well as Dux Britanniarum once they release the next supplement.  

I've been scrounging for quality military history podcasts to listen to lately. Last week, I signed up at audible.com for a free audiobook. Since Byzantines are up in the painting queue, I chose Lars Brownworth's "Lost to the West: The Forgotten Byzantine Empire That Rescued Western Civilization." Painting to a quality audiobook is a treat. If you can afford the monthly fee, I highly recommend it.  Their military history selection is huge and the hardest part for me will be to limit myself to just one book a month.