"Just good enough" described my skill in painting horses a year ago. Back then, I'd put off painting cavalry because I didn't enjoy painting the horses. Maybe it was the musculature, maybe it was the reins and tethers or maybe it was the horse at the stable that bit me. Whatever it was, I struggled when I got to these figures. If you're going to paint ancients, there's no way around the fact that you're going to paint horses over and over again. By the time I painted my Turkish army, I'd painted so many of horses that I'd forgotten I didn't like them. I'd reached the point where horses were no longer a mystery to me. I knew I'd conquered my Equinophobia when the first figures I painted in my Hungarian army were 72 figures of cavalry.
My current painting phobia is freehanding shields. When I see a shield, my first reaction is to look for a shield transfer. Or slap a geometric shape down and call it good. I might do a little drybrushing or a wash but I've never painted an object on a shield. This is a problem in my Medieval Hungarian army because the Cliperati and Armati battlegroups have 64 shields and the 50+ knights each have a shield ...ugh!
For this project, I made a rule that even if I wasn't happy with the results, I'd move on. There were 64 shields and I couldn't sweat over each one. I turned to the Internet for inspiration and found excellent Hungarian heraldry sites here and here. I loved the picture below so I decided to give it a try.
I stripped out the fancy bits and concentrated on the motif of an eagle's head rising out of a crown. It took a while but I achieved passable results. I reminded myself that these shields will be bunched up in units of 32 and then viewed from 3 feet or more. The camera is quite unforgiving this close up but here it goes...
Geese figure prominently in Hungarian heraldry so I gave them a try. As it turns out, painting geese was the easiest of the many items I tried. It starts with the S and then you fatten out the bottom of the letter. If only every item I painted could be shaped via the letters of the alphabet, my shields would be so much the better!
I tried painting a 2 toned goat. Unfortunately, there's not a lot of room on these shields and the horns should have been longer. And the snout on one looked more like a jackalope than a goat.
Wheat is featured prominently in Hungarian heraldry. I'm not sure if bundles of wheat are effective at instilling fear in the enemy. Maybe the wheat was accompanied with text that said, "I'm in your fields, eating all of your wheat!"
Black crows appear frequently in Hungarian heraldry, often holding a golden ring in or around the beak. To be honest, painting a crow was tough because they aren't shaped like any letter of the alphabet.
I really liked the image of a mailed arm coming out of a cloud holding a sword. The Hand of God is a much more frightening image that a bundle of wheat or a ring stealing crow!
These results are decent enough to build on. I'd love to find a tutorial on the finer points of painting shields. My attempts here were built off of a black base. I probably should experiment with other colors for the base. Also, once the image is done, I could spend a little time bringing in more detail, like laurels and trim and the such. With 50 more shields to paint, I'll put these ideas to the test.
7 hours down, 9,993 hours to go until I achieve greatness!